“La Solitudine delle Moltitudini” (Immersive video installation and an electroacoustic cantata for 16 female voices on fixed media (2023-24) - soprano and lyrics: Júlia Coelho) is an immersive room audio-visual installation (three-channel video, binaural audio on headphones) binaural audio on headphones to create an immersive and emotional space for the visitors in a closed room.

If we already have objects, videos, photos and even food made from data, why not hold an art exhibition this way too? From March 27th, the cultural center Futuros - Arte e Tecnologia will host the second edition of the exhibition Existência Numérica - Emergencies, which brings together Brazilian and foreign artists who use data as a means of creation to carry out a visual analysis of contemporary issues in society , such as climate change, identity issues and the appreciation of science.

DISTORTIONS is not a singular, all encompassing statement exhibition, but rather a collection of compelling works by artists we collaborate with. Thought provoking, often prescient, and relevant to this moment of technologically assisted creative processes, the artworks in the show represent various approaches to the complexities of contemporary world. Traditionally, artists have altered reality to reveal their own 'truths'. Art, as a mirror of the world, has always operated via distortion both literally and metaphorically. With the nonstop development of analog and digital tools in the 20th century, access to new technologies became more democratized. Yet it is always the artists that are on the forefront to adapt the new tools, subvert them, push boundaries, expose biases and limitations of the medium and explore its creative potential.